world listening day
last year i was too caught up in the end of a residency to mark world listening day on the 18th july.
this year, that's not going to happen. i'll be doing a 6-hour listening work in berlin and transcribing the outcome of that onto wall in public. a little like the listening to berlin works i did in 2010, or those done as part of the AURA project last year, a bit like all my works lately.
i'll keep you posted, closer to the date.
and thanks to the world listening project twitter and the sound studies blog (also pushing sound studies into the red), i discovered a post by aaron trammell about transcription and embodiment of music into other forms.
he discusses the process of listening to lyrics (by The Fleshtones), transcribing them and the difficulty/slight unsatisfaction of completing that task thanks to the switch between modes of thinking.
oh how i can relate.
in my listening projects, i'm constantly transcribing the city's ambient sounds from a listening action of sensation, to the domain of language and text.
like the Fleshtones track in aaron's article, ambient sound is difficult to transcribe. although unlike music - with its cultural history of written lyrics and coded notation - there is no language-based culture for, say, the sound of a car driving across cobblestones. the general public just hear those sounds, or respond to what they mean. very rarely to you explain those sounds, much less transcribe them.
so when i'm doing the work, i just have to write it how i hear it, without resorting to onomatopaea - switch between hearing and understanding and explaining and conveying.
which is part of the exciting thing (for me at least) about the action i undertake during those works, but also about the words that come from it:
they're as universal as possible - explaining in plain terms the what of what's being heard, almost like lyrics of the public space, but they're still quite subjective, based on my particular translation of what's being heard. the mondegreen of public space.
i can imagine aaron and i need to have a transcription battle :)
anyway, i digress, this year on world listening day, come and find me. i'll be making a monument to the noble action in public. somewhere in berlin. and i'll be doing some embodiment and transcribing. and standing around wearing headphones and writing.
it'll be just like writing down lyrics, but to the world.
4 comments:
It's not yet on my weblog but I was in Berlin last week and I did some listening there. I was surprised by my own results. It could be done with a lot more polish and sophistication, and maybe it *should* be done once again and better. There is so much urban space atmosphere that could be recorded this way!
http://www.freesound.org/people/uair01/sounds/160226/
I left the recorder outside the whole night in Berlin. I edited out all the car noise between 03:00 - 04:00 and then selected all the birdsong. I very much like the emptiness and the echoes that you can hear this way. Of course the birds almost disappear into the noise sometimes, but I still like the atmosphere.
Could I challenge you to do this better?
ahem. you were in berlin last week??!! um, hello! i know i look and sound like a crazy person, but really i'm lovely to meet and chat with in real life! :D
and yes, you could challenge me to do it better. did you just 'listen' with your recorder, or did you do some other things too?
perhaps i can do a 'repeat performance' of your work.
actually, that reminds me - i recorded the crowd celebrating near brandenburger tor after the germany vs greece win. i should play around with that a bit.
I had thought about sending a signal, but then I also thought that you had just arrived in Berlin and were probably still acclimatising to this strange city. So I doubted if you really would look forward to a visit from an oldish guy from the Netherlands. But next time I'll send a message.
ha! i will probably never fully acclimatise to this crazy city (despite having lived here before). but yes, next time send a bat signal up. :D
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